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Psychology of family held by escaping convicts.
A remarkable depiction of a city in crisis – based on new, behind-the-scenes reporting – that captures the resilience, peril, and compassion of the early days of the Covid pandemic In the spring of 2020, COVID-19 arrived in New York City. Before long, America’s largest metropolis was at war against a virus that mercilessly swept through its five boroughs. It became apparent that if Covid wasn’t somehow halted, the death count in New York alone would be in the hundreds of thousands. And if New York’s hospitals failed, what chance did the rest of the country have? In The Desperate Hours, award-winning journalist Marie Brenner, having been granted unprecedented 18-month access to the entire New York-Presbyterian hospital system, tells the story of the doctors, nurses, residents, researchers, and suppliers who tried to save lives across Manhattan, Queens, and Brooklyn and the northern periphery of the city. Drawing on more than 200 interviews, Brenner takes us inside secure ICU units, sealed operating rooms, locked executive suites, unknown basement workshops, and makeshift clinics to provide extraordinary witness to the war as it was waged on the front line. But The Desperate Hours is more than a thrilling account of medicine under extreme pressure. It is an intimate portrait of courageous men and women coming together in their devotion to duty, their families, each other, and the city they loved more than any other.
A Study Guide for Joseph Hayes's "The Desperate Hours," excerpted from Gale's acclaimed Drama For Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama For Students for all of your research needs.
An all-new novel based upon the explosive Star Trek TV series! Aboard the Starship Shenzhou, Lieutenant Michael Burnham, a human woman raised and educated among Vulcans, is promoted to acting first officer. But if she wants to keep the job, she must prove to Captain Philippa Georgiou that she deserves to have it. She gets her chance when the Shenzhou must protect a Federation colony that is under attack by an ancient alien vessel that has surfaced from the deepest fathoms of the planet’s dark, uncharted sea. As the menace from this mysterious vessel grows stronger, Starfleet declares the colony expendable in the name of halting the threat. To save thousands of innocent lives, Burnham must infiltrate the alien ship. But to do so, she needs to face the truth of her troubled past, and seek the aid of a man she has tried to avoid her entire life—until now.
The fifties marks the moment when a heterosexual/homosexual dualism came to dominate U.S. culture's thinking about masculinity. The films of this era record how gender and sexuality did not easily come together in a normative manhood common to American men. Instead these films demonstrate the widely held perception of a crises of masculinity. Masked Men documents how movies of the fifties represented masculinity as a multiple masquerade. Hollywood's star system positioned the male actor as a professional performer and as a body intended to solicit the erotic interest of male and female viewers alike. Drawing on publicity, poster art, fan magazines, and the popular press as a means of following the links between fifties stars, their films, and the social tensions of the period, Cohan juxtaposes Hollywood's narratives of masculinity against the personae of leading men like Cary Grant, Humphrey Bogart, John Wayne, Charlton Heston, Yul Brynner, William Holden, Montgomery Clift, Marlon Brando, and Rock Hudson. Masked Men focuses on the gender and sexual masquerades that organized their performances of masculinity on and off screen.
The experiences of the Hilliards, a family threatened by threeescaped convicts who take over their home and hold the family as hostages.
From generation to generation, three outstanding American Jewish directors—William Wyler, Sidney Lumet, and Steven Spielberg--advance a tradition of Jewish writers, artists, and leaders who propagate the ethical basis of the American Idea and Creed. They strive to renew the American spirit by insisting that America must live up to its values and ideals. These directors accentuate the ethical responsibility for the other as a basis of the American soul and a source for strengthening American liberal democracy. In the manner of the jeremiad, their films challenge America to achieve a liberal democratic culture for all people by becoming more inclusive and by modernizing the American Idea. Following an introduction that relates aspects of modern ethical thought to the search for America’s soul, the book divides into three sections. The Wyler section focuses on the director’s social vision of a changing America. The Lumet section views his films as dramatizing Lumet’s dynamic and aggressive social and ethical conscience. The Spielberg section tracks his films as a movement toward American redemption and renewal that aspires to realize Lincoln’s vision of America as the hope of the world. The directors, among many others, perpetuate a “New Covenant” that advocates change and renewal in the American experience.
Discussing more than 120 full-length plays, this volume provides an overview of the most important and memorable theatrical works of crime and detection produced between 1950 and 1975.