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Science fiction-roman om livet på Jorden efter en altødelæggende krig, hvor de få overlevende kommer i konflikt med de menneskelignende robotter, androider, som de selv har skabt
A masterpiece ahead of its time, a prescient rendering of a dark future, and the inspiration for the blockbuster film Blade Runner By 2021, the World War has killed millions, driving entire species into extinction and sending mankind off-planet. Those who remain covet any living creature, and for people who can’t afford one, companies built incredibly realistic simulacra: horses, birds, cats, sheep. They’ve even built humans. Immigrants to Mars receive androids so sophisticated they are indistinguishable from true men or women. Fearful of the havoc these artificial humans can wreak, the government bans them from Earth. Driven into hiding, unauthorized androids live among human beings, undetected. Rick Deckard, an officially sanctioned bounty hunter, is commissioned to find rogue androids and “retire” them. But when cornered, androids fight back—with lethal force. Praise for Philip K. Dick “The most consistently brilliant science fiction writer in the world.”—John Brunner “A kind of pulp-fiction Kafka, a prophet.”—The New York Times “[Philip K. Dick] sees all the sparkling—and terrifying—possibilities . . . that other authors shy away from.”—Rolling Stone
San Francisco lies under a cloud of radioactive dust. The World War has killed millions, driving entire species to extinction and sending mankind off-planet. Those who remain covet any living creature, and for people who can't afford one, companies build incredibly realistic fakes: horses, birds, cats, sheep...even humans. Rick Deckard is an officially sanctioned bounty hunter tasked to find six rogue androids. They're machines, but look, sound, and think like humans
Who hunted androids before Rick Deckard? A GLOBAL SCIENCE FICTION PUBLISHING EVENT! John W. Campbell Award-nominee Chris Roberson writes the prequel to John W. Campbell Memorial Award-winner Philip K. Dick's DO ANDROIDS DREAM OF ELECTRIC SHEEP?, one of the greatest science fiction novels ever published! THE PREQUEL TO ONE OF THE GREATEST SCIENCE-FICTION NOVELS EVER PUBLISHED! Volume 2 of John W. Campbell Award-nominee Chris Roberson’s prequel to John W. Campbell Memorial Award-winner Philip K. Dick's DO ANDROIDS DREAM OF ELECTRIC SHEEP?. Who hunted androids before Rick Deckard? Taking place immediately after World War Terminus ends, the problems with artificial life -- androids – become apparent. The government decides they must become targets, hunted down, but who will do the dirty work? Two men are assigned: Malcolm Reed, a "special" human with the power to feel others' emotions, and Charlie Victor who's the perfect man for the job... or is he? What secret does Victor hide? Meanwhile Samantha Wu, a Stanford biologist, fights to save the last of the living animals. Don't miss this science fiction milestone that fleshes out Philip K. Dick's world and DO ANDROIDS DREAM OF ELECTRIC SHEEP?'s mythology.
An exploration of the emergence of a new psychedelic spirituality in the work of Philip K. Dick, Terence McKenna, and Robert Anton Wilson. A study of the spiritual provocations to be found in the work of Philip K. Dick, Terence McKenna, and Robert Anton Wilson, High Weirdness charts the emergence of a new psychedelic spirituality that arose from the American counterculture of the 1970s. These three authors changed the way millions of readers thought, dreamed, and experienced reality—but how did their writings reflect, as well as shape, the seismic cultural shifts taking place in America? In High Weirdness, Erik Davis—America's leading scholar of high strangeness—examines the published and unpublished writings of these vital, iconoclastic thinkers, as well as their own life-changing mystical experiences. Davis explores the complex lattice of the strange that flowed through America's West Coast at a time of radical technological, political, and social upheaval to present a new theory of the weird as a viable mode for a renewed engagement with reality.
John W. Campbell Memorial Award-nominee Chris Roberson writes the prequel to John W. Campbell Memorial Award-winner Philip K. Dick's DO ANDROIDS DREAM OF ELECTRIC SHEEP?, one of the greatest science ficition novels ever published! A GLOBAL SCIENCE FICTION PUBLISHING EVENT! John W. Campbell Memorial Award-nominee Chris Roberson writes the prequel to John W. Campbell Memorial Award-winner Philip K. Dick's DO ANDROIDS DREAM OF ELECTRIC SHEEP?, one of the greatest science ficition novels ever published! Who hunted androids before Dick Deckard? Taking place immediately after World War Terminus ends, the problems with artificial -- androids--become apparent. The government decides they must become targets,hunted down, bjut who will do the dirty work? Two men are assigned: Malcolm Reed, a "special" human with the power to feel others' emotions, and Charlie Victor hide? Meanwhile Samantha Wu, a Stanford biologist, fights to save the last of the living animals. Don't miss this science fiction milestone that fleshes out Philip K. Dick's world and DO ANDROIDS DREAM OF ELECTRIC SHEEP? mythology!
Word count 31,300
Seminar paper from the year 2006 in the subject American Studies - Literature, grade: 1,00, Catholic University Eichstätt-Ingolstadt (Sprach- und Literaturwissenschaftliche Fakultät), course: Novel and Film, 10 entries in the bibliography, language: English, abstract: “Do Androids Dream of Electric Sheep?” is one out of at least six novels by Philip K. Dick that deal substantially with the questions surrounding androids. It is exactly the distortion between the real as the jumping-off point cited above and the hypothetical, unreal, fictional which creates a critical comment on the world the present reader lives in. The special focus on humanlike androids in “Do Androids Dream of Electric Sheep” implies a particular philosophical issue. Of course, the somewhat murky, obscure and intransparent depiction of androids involves the problem of man-machine relationships, which can to a certain extend be equated with human-android relationships. But Dick goes a step further, pointing out the differences as well as the parallels between both the android and the human being, using ambiguous descriptions and playing with the reader’s sympathy for both sides. One could even argue that Dick tried to create a kind of meeting halfway between man and android. Certainly, Dick himself faces difficulties when trying to define the android as “a thing somehow generated to deceive us in a cruel way, to cause us to think it to be one of ourselves.” This description meets exactly to core of our analysis, which deals with the impact and the effects created by this somewhat ambiguous representation of human and android life.
